Inclusion wasn’t haphazard in the visual telling of the tale, according to Emma and Julia Love Ballet editor Dianne Hess. She said of the author McClintock, “She's very very careful about making sure people are represented — and not just represented, but represented in ways that are good all around and sensitively-done.”
The representation of Black ballerinos and ballerinas, in Webber-Bey’s words, opens up the worlds of ballet and the arts to young Black readers: There's “the magic of seeing yourself in a book, but then [also] a profession that you don't frequently see associated with Black women."
“Someday,” Emma says to Julia, “I will dance on stage — just like you!” Seeing Julia perform reinforces Emma’s love of ballet, and when the two embrace on the last page, Emma’s admiration is undeniable.
“She’s a role model,” Hess says of Julia. The impact of positive role models is invaluable: They can encourage your child to dream big, develop positive values, love herself, and so much more. For the little ballerina in your life, Julia can serve as a hard-working, positive role model. Here are five real-life examples budding ballet dancers can look up to:
- Misty Copeland, the first Black-American promoted to principal dancer at American Ballet Theatre. (For more on Misty Copeland, check out American Girl: A Girl Named Misty, an illustrated guide to the prolific ballerina's life.)
- Scout Forsythe, a professional ballerina who’s passionate about helping the environment.
- Michaela DePrince, a ballerina who escaped war in Sierra Leone to dance alongside Beyonce.
- Lia Cirio, a Filipino-American ballerina who is working to make ballet more diverse.
- Kyle Abraham, a New York City Ballet choreographer who fuses ballet with other styles of dance, like hip-hop and contemporary.
- Judith Jamison, the renowned ballet dancer and artistic director of Alvin Ailey American Dance Theater who inspired McClintock to write Emma and Julia Love Ballet.