To the Discussion Leader
Noted author Sherry Garland sets her new Dear America novel in the Sonoma Valley of California in 1846. The diary entries of María Rosalia De Milagros introduce youngsters to the californios and the struggles to keep their land. The Bear Flag Revolt, Captain John Frémont, General Mariona Vallejo, and a host of interconnected historical figures and events come to life in Valley of the Moon.
Like most good writers of historical fiction, Sherry Garland allows the 1840's history to be the backdrop in front of which young María Rosalia plays out her life. As a "half-Indian orphan" and servant in the home of the wealthy Medina family, María Rosalia finds her respite from daily chores in her diary and in her dreams of discovering the identity of her parents. On creating María Rosalia, Sherry Garland says, "To me, the Mexican culture is one of contrast and compromise, one of both love and hatred for the Spanish conquerors and missionaries. When writing Valley of the Moon, I wanted to create a girl who reflected these contrasts, who represented both sides of the Mexican culture."
When María Rosalia discovers her true heritage, her life is altered significantly. And just as dramatically, her beloved California changes when Mexico sells the land to the United States and the Gold Rush begins.
Summary
"My island in a sea of work" is how thirteen-year-old María Rosalia, a half-Indian orphan who was taught by a mission priest how to read and write, describes her diary. In it she records her thoughts, feelings, and dreams. It is 1846 in Alta California, Mexico's most remote northern province. María Rosalia and her younger brother Domingo live at the rancho of the wealthy Medina family. There are three Medina daughters, and the eldest, Miguela, is being courted by a wealthy American, Henry Johnston. Although the Indian cook Lupita and her husband Gregorio treat her as their own child, and the Medinas are kind to her, María Rosalia longs for a real family and to learn the identity of her father. She says, "Sometimes I do not feel I belong to the Indian world. Nor to the world of the Medinas either. Where do I belong? Until I find out who my parents were, I know I shall never rest." A servant's days are long and full of work, so when she is asked to accompany Señor Johnston to Sutter's Fort to pick up his young niece and nephew who have just lost all of their family in a wagon train accident, María Rosalia goes willingly. She and Nelly Johnston soon become best friends, and it is painful for each of them when Nelly must go on to her uncle's home in Yerba Buena.
Preparations begin for Miguela and Señor Johnston's wedding, but must be postponed when Miguela's younger sister Rafaela becomes gravely ill. As Rafaela hovers near death, María Rosalia and Lupita travel to Lupita's remote Indian village to consult a shaman who gives them an herbal medicine. Rafaela makes a remarkable recovery, and finally after much preparation and celebration, Miguela and Señor Johnston are married. Months later, Miguela is "with child" and feeling poorly, so she returns home to be cared for by her mother. It turns out Miguela is ill with cholera, and her baby is born dead. María Rosalia learns that her dear friend Nelly has also had cholera and, sadly, has died. Señor Johnston gives María Rosalia Nelly's locket and María Rosalia writes, "I am looking at the locket now as I write. Tears are blurring the words. Nelly was such a dear, sweet girl. I know she is in Heaven with her family."
María Rosalia is more determined than ever to find out about her own family. She tries to contact Father Ygnacio, the mission priest who found María Rosalia and her brother after their mother died. Though the priest is now old and dying, he writes a letter that explains who her parents were and what happened to them, and with that important information María Rosalia's life suddenly changes. She is no longer a servant girl. At last, she and Domingo have a real family!
Thinking About the Book
1. How did María Rosalia De Milagros get her name? Is she named after anything or anyone?
2. Why do you think the author of María Rosalia's diary gave the book the title Valley of the Moon?
3. What happens on El Día de los Muertos the Day of the Dead?
4. Who is your least favorite character in Valley of the Moon? Explain your reasons for this choice.
5. Nelly and María Rosalia become best friends. How are they alike? How are they different? Think about your best friend. How are you alike? Different?
6. Why is it that María Rosalia and her brother Domingo did not die in the smallpox plague that killed their mother?
7. How does María Rosalia discover who her father really was?
8. What is the historical event know as the "Bear Flag Revolt?"
Student Activities
1. Several important festivals are mentioned in Valley of the Moon:
Feast of Christ the King--Nov. 23
Feast of the Virgin of Guadalupe--Dec. 12
La Posada--Dec. 15
Nochebuena--Dec. 24
Feast of the Three Kings--Jan. 6
La Candelaria--Feb. 2
Research one of these festivals and tell your group what you found out about this special day and how it is celebrated.
2. Identify the following historical figures mentioned in Valley of the Moon.
Captain John Frémont
General Castro
General Zachary Taylor
Lieutenant Revere
General Vallejo General Santa Anna
3. In your discussion group, talk about the reasons María Rosalia decides to leave the Medina family and her brother Domingo to work as a servant for Miguela and the rest of the Johnston family? Discuss with your group whether or not you would have made the same choice.
4. Plan a fiesta with your friends. Make cascarónes. Wear sarapes and rebozos. Serve pan dulce) and Pastelitos de Boda (recipe on p. 213). Learn the melody to "Cielto Lindo," (words on p. 214). Dance the fandango. Hang a piñata. Celebrate someone's birthday or a special holiday.
5. The Osos painted their own flag during the "Bear Flag Rebellion." Look up the flag design at http://www.vom.com/bearflag/bearflag.htm. Click on flag designs and then look at the Todd flag. Now look at the modern state of California flag http://www.law.ou.edu/pix/caflag.gif. How are these two designs alike? How are they different? Design your own bear flag.
An Interview with Sherry Garland
Richard F. Abrahamson, Ph.D. & Eleanore S. Tyson, Ed.D: The Bear Flag Revolt is an historical event not nearly as familiar as the battle at the Alamo that served as the basis for your first Dear America book A Line in the Sand: The Alamo Diary of Lucinda Lawrence. Why did you choose this revolt to write about for young readers?
Sherry Garland: One day I was talking to my Dear America editor about possible ideas for another book. She told me that Scholastic would love to have one set in
California, but not during the Gold Rush since that topic was already under
way. I did a quick survey of California history and became fascinated with
the role of the Spanish/Mexican culture. Having been born only a couple of
miles from the Mexican border myself, I've always been interested in that
country's history and culture. I considered writing about an Indian girl
living in a California mission, but finally decided upon the Bear Flag Revolt
period. That was a turbulent time for the Mexican residents (called californios) as Americans moved in and gradually took the ruling power away from them. And the more turbulent the times, the more interesting the story.
RFA & EST:What was the most interesting thing you discovered in doing your research for Valley of the Moon?
SG: I had always heard about the Bear Flag Revolt, but I was surprised to
find that it was so short-lived and almost bloodless. Very few people were
killed on either side. Also, I was surprised to learn that just a handful of
Spanish-speaking families owned all of California's lands and fought among
themselves. And I had not realized that the fate of the Native Americans in
California had been so harsh.
RFA & EST: María Rosalia is such a multifaceted main character. If you had to describe her in one word, what would that word be? Why?
SG: Inquisitive. She always wanted to learn. As a child María Rosalia wanted to
learn how to read and write, though it was against the custom of the day.
After meeting Señor Johnston she wanted to learn English so she could
communicate with him and his family. And she had a burning desire to learn
about her parents and her past. She later becomes a writer, and being
inquisitive is one of the basic requirements for being a writer.
RFA & EST: María Rosalia and the Medina family are fictitious, but are they based on any actual people you uncovered in your research?
SG: I think the one family that influenced my descriptions of the rancho and
its lifestyle is the Vallejo family. They were the wealthiest and most powerful landowners in northern California, where the story is set. One of the Vallejo children wrote his memoirs and described some of the activities I mention in my book, for example washday at the hot springs. Although the ranchos in the northern part of California were not as luxurious as those in the south near Los Angeles, I wanted to create the overall feel of the Spanish/Mexican haciendas.
RFA & EST: The Indian servants in Valley of the Moon are referred to as slaves. From your research did you find any similarities to the slaves in the South before the Civil War?
SG: The fate of the California Indians is especially sad and quite different
than the slaves in the South. In the United States at that time slavery was
legal. The Southern slave owners considered the slaves "property" and as
such put forth an effort to feed, clothe, and medicate their slaves. In Mexico, however, slavery had been outlawed for many, many years. The Indians were supposedly working for the wealthy landowners, but their working conditions were often so harsh that they died in large numbers from exhaustion. They also died from diseases introduced by foreigners. There were distinct class lines in Mexico, and the darker the skin, the lower the position in society. It was very difficult for the Indians to rise above their class. Southern slaves were emancipated and went on to become a distinct part of American society while the California Indians and their culture vanished altogether.
RFA & EST: The Dear America Diaries have become some of the best selling historical fiction books published in the field of literature for young people. Why do you think this is so?
SG: Well, I'd like to think it is the wonderful authors, but that sounds a
little too much like bragging. One of the reasons for the success of the
Dear America series is the diary format. The diary is personal, it feels
"real." Also, the diary format is easy to read. Unlike a novel that is divided into chapters, a diary has short entries that allow the reader to stop at nearly any point. I have
always loved to read and write historical fiction, but in the past it was not
easy to sell an historical fiction manuscript, especially for the 9-12 age group. But
with the diary format, the readers are drawn into history and become so
involved in the story that they don't realize they are learning history at the same time.
Another reason the series is so successful is because of the historical accuracy. I can tell you that we authors have to do tremendous amounts of researcha year's worth for me. And then Scholastic hires a "fact checker" who is an expert in the field, often a history professor at a university or a museum curator. Valley of the Moon was fact checked by a gentleman working at the museum in Sonoma, where the Bear Flag Revolt took place.
Lastly, the series is successful simply because it is a series. When a reader finds a book he or she likes, that reader will look for similar books. In a series, the consistency of the quality is established. Readers know that each of the Dear America books will contain interesting characters and reliable facts.
RFA & EST: If you could ask young people one question after they have finished reading Valley of the Moon, what would that one question be?
SG: I would ask readers if they have a different opinion of the Spanish and
Mexican culture in California now. In our modern times, unfortunately, too
many Americans tend to think that all Mexican-Americans came from illegal
immigrants slipping over the border. Too many people don't realize that the
Spanish/Mexican culture was part of California and the southwest long before
English-speaking Americans arrived and that the ranching industry owes its
existence to Spanish predecessors.
Discussion Guide written by Richard F. Abrahamson, Ph.D., Professor of Literature for Children and Young Adults, University of Houston and Eleanore S. Tyson, Ed.D., Clinical Assistant Professor, University of Houston, Department of Curriculum and Instruction. Houston, Texas.
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